 top | Forthcoming
Ed. with Alan Smith, Repossessions: Psychoanalysis and the Question of Early-Modern Culture (University of Minnesota Press, 1997)."'Animé d'un regard': Televisual Specters in Racine," L'Esprit Créateur (1997)."Jean-Louis Bossier: Flora petrinsularis," in Margaret Morse, Digital Installations at ZKM (Zentrum für Kunst und Medientechnologie, Karlsruhe)."The Idea of Cinema," in Lawrence D. Kritzman, ed., The Columbia History of Twentieth Century French Thought (Columbia University Press), in progress."Louis Marin," in Lawrence D. Kritzman, ed., The Columbia History of Twentieth Century French Thought (Columbia University Press), in progress."The Errancy of Light," Threshold, The Powerplant Contemporary Art Gallery at Harbourfront Centre, Toronto, in progress.
Books
Theatrical Legitimation: allegories of Genius In XVIIth-Century England and France(Oxford and New York: Oxford University Press, 1987).Like a Film: Ideological Fantasy on Screen, Camera, and Canvas (London: Routledge, 1993).Drama Trauma: Specters of Race and Sexuality in Performance, Video, Art (London: Routledge, 1997).Ed., Mimesis, Masochism & Mime: The Politics of Theatricality in Contemporary French Though (Ann Arbor: University of Michigan Press, 1997).
Chapters in Books
"Ben Jonson's Folio As Textual Performance," in Acts of the Tenth Congress of the International Comparative Literature Association, ed. D W. Fokkema (New York: Garland Press, Spring, 1985), II: 325-330."Othello's Foul Generic Thoughts," Persons in Groups: Social Behavior as Identity Formation in Medieval and Renaissance Europe, ed. Richard C. Trexler (Binghamton: Medieval & Renaissance Texts & Studies, 1985), 67-78."1634, 13 March. The Académie Francaise, Created by Cardinal Richeliu, Holds Its First Meeting," in New History of French Literature, ed. Denis Hollier Cambridge, MA: Harvard University Press, 1989), 267-73. French translation (Paris: Bordas, 1993)."The Play of Letters: Possession and Writing in Chucky's Hunch," in Feminine Focus: The New Women Playwrights. ed. Enoch Brater (Oxford & New York: Oxford University Press, 1989), 186-209."Le cliché taché" rétrospection et décomposition cinématographique," trans. Eliane Dal Molin, in Le théâtre au Québec: mémoire et appropriation. L'annuaire théâtral, 5/6 (Fall 1988/Spring 1989), 307-18."Facing the Camera's Eye: Black and White Terrain in Women's Drama," in Reading Black, Reading Feminist: A Critical Anthology, ed. Henry Louis Gates, Jr. (New York: Meridian, 1990), 155-75."On the Line," Blank Page 4 (London: B4 Publishing, 1990)."The Contrast Hurts: Censoring the Ladies Liberty in Performance," in The Administration of Aesthetics: Censorship, Political Criticism, and the Public Sphere, ed. Richard Burt (Minneapolis: University of Minnesota Press, 1994), 260-88."Introduction: The Mise-en-scene of the Cultural," in Murray, ed., Mimesis, Masochism & Mime, 1-26.
Articles
"A Marvelous Guide to Anamorphosis: Cendrillon ou la petite pantoufle de verre," MLN, 91, No. 6 (December, 1976), 1276-95."Kenneth Burke's Logology: A Mock Logomachy," Glyph 2 (1977), 144-61."Richelieu's Theater: The Mirror of a Prince," Renaissance Drama, NS 8 (1977), 275- 97."Non-Representation in La pratique du thé â tre," Papers on Seventeenth-Century French Literature, 9, No. 16 (1982), 57-74."Theatrical Legitimation: Forms of French Patronage and Portraiture," PMLA, 98, No. 2 (March, 1983), 170-82."From Foul Sheets to Legitimate Model: Antitheater, Text, Ben Jonson," New Literary History, 14 (Spring, 1983), 641-64."Patriarchal Panopticism, Or, The Seduction of a Bad Joke: Getting Out in "Theory," Theatre Journal, 35, No. 3 (October, 1983), 376-88."Theatricality of the Van-Guard: Ideology and Contemporary America Theatree," Performing Arts Journal 24 (Fall, 1984), 93-99."Terror and Judgment: Consenting with Hassan, Graff (and Now Booth!)," boundary 2, 12, No. 3/13, No. 1 (Spring/Fall, 1984), 213-34."What's happening?" [Review essay of Lyotard's texts on the painters Adami, Francken, Arkawa], Diacritics, 14, No. 3 (Fall, 1984), 100-110."Screening the Camera's Eye: Black and White Confrontations of Technological Representation," Modern Drama, 28, No. 1 (March, 1985), 110-124."Subliminal Libraries: Showing Lady Liberty and Documenting Death," Discourse, 9 (Spring/Summer, 1987), 107-24."Duck and Cover? 'Radioactive, Inactives Portraits' by Nagatani and Tracey," Q, A Journal of Art (April 1990), 31-33."Reading in the Dark: Cinema Studies at Cornell," College of Arts & Sciences Newsletter, Cornell University (Spring 1991), 6."Translating Montaigne's Crypts: Melancholic Relations and the Sites of Altarbiography," in Jonathan Crewe, ed., Reconfiguring the Renaissance: Essays in Critical Materialism, Bucknell Review, 35, No. 2 (1992), 121-49.With Rebecca Egger, "Montage, Mastery, and Masquerade: Interview of Mary Kelly," The Bookpress, 2, 3 (April 1992), 8, 14."Televisual Fears and Warrior Myths: Mary Kelly Meets Dawn Dedeaux," Camera Obscura, 32 (September-January, 1993-94), 125-60."In Exile at Home: Tornado Breath and Unrighteous Fantasy in Robbie McCauley's Indian Blood, in Discourse, 16, No. 3 (Spring 1994), 29-45."American Shakespeare, or the Bourgie-Woogie Blues," review essay of Michael D. Bristol, Shakespeare's America, America's Shakespeare (Routledge). American Quarterly, 46, No. 2 (June 1994), 167-75."Philosophical Antibodies: Grotesque Fantasy in a French Stoic Fiction," Yale French Studies, 86 (1994), 143-63.Contribution to Forum on "Interdisciplinarity," PMLA, 111, No. 2 (March 1996), 279-80."Et in Arcadia Video: Poussin' the Image of Culture with Marin and Kuntzel," MLN, 112, No. 3 (April, 1997). 431-53"You Are How You Read: Baroque Chao-Errancy in Greenaway and Deleuze," Iris, 23 (Spring, 1997), 87-107."Let's Support the NEH," Guest Column, FoxNews Online, July 21, 1997. |
